In the late 1920s Walter Tiemann cut this font for Klingspor Brothers in Offenbach am Main. It comes close to Luthersche Fraktur and, though quite slender, possesses a good gray value and readability.

This blackletter font fits excellently into narrow columns. Kleist Fraktur contains a bunch of useful ligatures, and by typing ‘N’, ‘r’ and period you get an oldstyle numbersign.