The cross between calligraphy and sanserif is rare, inhabiting territory between Hermann Zapf’s Optima, classical sans structure with a calligraphic spirit, and Warren Chapell’s Lydian, classical calligraphy without serifs.

Cyrus Highsmith claims adventurous new ground with Amira, a letterform that pops from the page with an angled vitality that both welcomes and surprises readers with bright new rhythms and texture.

Among other uses, Amira is recommended for Magazine, Book and Corporate use.